Schreib auch du ins Gästebuch!



236. Datum: 06.03.2002 - 19:12 Uhr
barella (Keine eMail / Keine Homepage) schrieb:

jackass,dass war ja auch eher auf wow... bezogen!
das hier jeder jeden verarscht,ist mir auch klar gewesen-nett:)
aber was ich mich frage,ist,warum du wenn du hunger hast,auf hundekuche kommst,oder daran denkst!?
gut,soll sehr nahrhaft sein,aber ich würde dir dann doch eher ne lecker-bratwurst oder ne keule mit kraut empfehlen-es heißt zwar jedem das seine,aber selbst ich wünsche keinem,dass er sich mit hundefutter den magen verdierbt-mein gott,bin ich wieder sozial!
...aber ich finds spitze,dass jetzt auch einträge auf englisch hier sind-da wird man auf allen ebenen weiter gebildet!...kann vielleicht jemand noch spanisch?italienisch?polnisch?serbisch?vielleicht sogar finnisch?-das wäre doch mal ein spaß,oder?
(...)naja..... ;)


235. Datum: 06.03.2002 - 13:11 Uhr
Jackass83 (Keine eMail / http://www.cheapshots.de) schrieb:

Übrigens: Wenn einer gerade gute Musik sucht...
das Album von Ignite - A Place Called Home is der absolute burner. Wenns einer noch nicht kennt: ANHÖREN!

mahlzeit


234. Datum: 06.03.2002 - 13:08 Uhr
Jackass83 (Keine eMail / http://www.cheapshots.de) schrieb:

Hat das einer gelesen?? Um was gehts?? Bin gerade zu faul... @Barella: jeder verarscht jeden! Außerdem wer hat denn gesagt, dass www.hundekuchen.de sich interessant anhört? Ich hatte nur hunger zu dem zeitpunkt!

prost


233. Datum: 06.03.2002 - 08:58 Uhr
Luigi (Keine eMail / Keine Homepage) schrieb:

The enigmatic " Dovima with the Elephants " of Richard Avedon was realized to Paris in 1955; an historical moment. Quarantacinque years after remains one of its more diffuse images, from the immutato fascination. A fashionable photo charge of elegant froideur has become an intense and pregnante document of a lost time.
Also if apparently isolated from the threat of the Cold War, also the fashionable houses of Paris felt the icy wind of the change. The days of haute the couture were counted, the impulse given from the " New Look " were being get exaustedded. Black velvet the unglued dress of Dovima, with wraps it of satin, was of Dior only nominally. In truth it was the first creation of the young person Yves St. Laurent: symbol of one style transition. Also if Avedon ne were not aware, its intuito one lead it towards the topic of the transition, that it was subtended in its work. When it photographed for before turns the collections of Paris in 1947, its hidden agenda had to record the " panic and the joy " of the years of the post-war period: it programmed distilling of all which the fashion had meant, and that it would not have meant more. It was ready for the future, but with " Dovima with the Elephants " he sluices a chapter with melancholic regret. The measure of the happened one of Avedon in obtaining and sincronizzare the necessary performances, from part is of models that of the elephants of the circus, it is emphasized from the previous attempts, poorly bankrupt, to resume the obstinate pachyderms from part of Louise Dahl-Wolfe and Herman Landshoff, both good photographers. The approach between elephant and models was, obviously, dared, nearly a dream surrealist; a Ray finds again itself previous in Man who puts one models in one wheelbarrow of Oscar Dominguez. But Avedon succeeded to make to collaborate all and operated to a deeper level. It had the ability to make fashionable images with a density of meant that perhaps also the not fashionable photography would have to pursue; here it has extended the kind, and has realized a classic of the photography. Richard Avedon' s enigmatic " Dovima with Elephants " was made in Paris in 1955 & ndash; an edgy, anxious historical moment. Forty-five years later it remains one of his most widely reproduced images, its power to intrigue undiminished.
To super-charged faschion plate of elegant froideur has evolved into an intensely poignant document of to lost Time.
Though apparently cloistered from the Cold War threat, even the fashion houses of Paris felt the icy wind of change.
The days of haute couture to were numbered, the boost provided by the " New Look " dwindling. Dovima' s black velvet décolleté dress with its swooping satin sash was nominally by Dior. In fact it was the first design by the ingénu Yves St. Laurent - to style transition symbolized.
If Avedon wasn' t to aware of this, his intuition led him to there the theme of transition was one of his sub-texts.
When he first photographed the Paris Collections in 1947, this hidden agenda was to record the " panic and hilarity " of the post-war years: now he planned to distillation of all that fashion had meant & ndash; and not longer would. He was ready for the future, but in " Dovima with Elephants " he closes to chapter with wistful regret.
The measure of Avedon' s achievement in coaxing and synchronizing the necessary performances & ndash; from both model and circus elephants & ndash; is underlined by earlier attempts to incorporated obstinate pachyderms: Louise Dahl-Wolfe and Herman Landshoff - both fine photographers & ndash; failed miserably. The elephant and model juxtaposition was, of course, ridiculous, like and out-take from to surrealist' s dream & ndash; Man Ray dumping goods in foreign market to model in an Oscar Dominguez wheelbarrow was to precedent. But Avedon pulled it all together and operated at to deeper level. He had to knack of making fashion images that carried to density of meaning that perhaps fashion photograph ought to not making happy, and to here he transcended the genre to make to classic of photography.


232. Datum: 05.03.2002 - 20:22 Uhr
i. (Keine eMail / Keine Homepage) schrieb:

und was macht"the bunny" grade so?
wie kommts eigentlich,dasss ihr wieder im muk spielt?


231. Datum: 05.03.2002 - 18:39 Uhr
...ist das ein kau! (Keine eMail / Keine Homepage) schrieb:

1000 mal berührt....
1000 mal ist nichts passiert....!
man,wie das passt!
:)


230. Datum: 05.03.2002 - 18:38 Uhr
barella (Keine eMail / Keine Homepage) schrieb:

saugeil!


229. Datum: 05.03.2002 - 18:36 Uhr
liquid strength (Keine eMail / Keine Homepage) schrieb:

bad as hell,ich glaub,du verwechselst da so einiges!
...ich weiß ja nicht,was für ne sorte von problemen du hast,aber das hier ist glaub ich definitiv keine
billige sexseite,wo du die chance bekommen wirst,ne billige?? frau zu finden!(kann mir allerdings auch nicht vorstellen,dass ebay so anrüchige angebote haben könnte,aber naja!)
...billige sexluder gibts zwar überall,aber nicht hier!die seite ist ANSPRUCHSVOLL(..hm,abgesehen von einigen einträgen-jaaaha,die sind meinetwegen von billigen??? frauen-aber leider nicht an dich gerichtet-sorry!)ich glaub,du hast das hardcore ein wenig falsch interpretiert!die jungs bieten qualitativ hochwertigen hp an,und nicht die art von hardcore die du dir wahrscheinlich wünschst!
also,auf deinem weg viel glück? grüße


228. Datum: 05.03.2002 - 17:28 Uhr
barella (Keine eMail / Keine Homepage) schrieb:

danke....ich fands auch schön mit dir...
dance,sucker dance.....ach ja!
als ob www.hundekuchen.de sich besonders interessant anhört...vor allem,wer verarscht hier bitte wen??


227. Datum: 05.03.2002 - 13:09 Uhr
Jackass83 (Keine eMail / http://www.cheapshots.de) schrieb:

aiiiiii!